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Reviews

This Is How Tomorrow Moves

Beabadoobee
Bea Kristi’s third album, co-produced by Rick Rubin, deploys a more subdued, acoustic palette to render an accurate portrait of early adulthood.

Life Till Bones

Oso Oso
Jade Lilitri’s latest is an economical, punchy rock record about love and death that still expands the band’s core sound.

Another Day

Fucked Up
The Toronto hardcore band’s latest builds on their previous records not by going bigger but by honing the small stuff: intricate melodies, squelching guitar loops, and Damian Abraham’s ornately aggressive performance.

Nice Guys

Art Ensemble of Chicago
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today we revisit an essential 1979 example of self-described Great Black Music from a tight-knit collective that embraced traditional and experimental forms all at once.

Realistic IX

Belong
The New Orleans drone duo follows up its 2011 album Common Era with an unexpected pivot into shoegaze. At its best, it makes familiar formulas sound alien.